建筑设计始终意味着不仅要处理传统，更重要的是要处理人的需求。 因此，中国云南半朵云艺术家会客厅的设计语言延续了城镇建筑群的风格。 同时，又巧妙融入了装饰艺术，保持自身特色。 在接近自然的“乌托邦”意义上，未使用一根钢筋、一颗钉子。 这片红土壤上的建筑全由当地的红砖建造，完全回归自然。 整个建筑本身如同一个巨大的艺术装置，又恍惚是天边绵延起伏的半朵云彩。 所有的设计元素都以朝向光线的方向布置，并布置在天窗下。 进入空间的自然光预示着一天时间的流逝，以创造多样化的空间体验。 室内设计旨在通过以人为本的方式满足当前生活方式的需求。 基于亲生物的概念，将自然世界的特征引入室内空间，使人与自然直接互动——人、空间和自然之间的情感联系。 “自然定律”提倡在我们日益城市化的生活环境中采用更人性化的设计方法。 因此，室内设计贴近自然，旨在展示我们如何在自然中生活、工作和学习。

Architectural design always implies not only dealing with tradition but more importantly also with human needs. The design language of the 50% Cloud Artists Lounge in the Chinese province of Yunnan therefore follows the concept of architectural complexes in the town. At the same time, it also subtly incorporates art deco style to create its own unique identity. In the sense of a “utopia” close to nature, the architecture does without a single steel bar or nail. Built on red soil, it is entirely composed of local red bricks and thus blends seamlessly into nature. The architecture itself evokes the image of being both a huge art installation and half of a cloud that undulates in the sky. All design elements are laid out in an orientation towards light and arranged under skylights. The natural light entering the space is intended to tell the passage of time throughout the day in order to create diversified spatial experiences. The interior design aims to meet the needs of the current lifestyle through a human-centred approach. Based on the concept of biophilia, the characteristics of the natural world are to be brought into the interior space to thus allow people to directly interact with nature – in an emotional connection between people, space and nature. “Biophilia” advocates a more humane approach to design in our increasingly urbanised living environments. This results in interiors that are close to nature and aim to show how we can live, work and learn in nature.